James Edward Fitzgerald, (1899-1971), Salinas River Valley, Santa Lucia Range in background, California, Circa 1928, Great Provenance, John Steinbeck Country!

2014-05-29 13.14.39

Salinas River Valley, California, Circa 1928 + Landscape sketch on verso
James Edward Fitzgerald, (1899-1971)
Watercolor on Paper
11.5″ x 15.75″
SOLD
Unframed

The same Salinas River Valley of John Steinbeck’s Of Mice and Men, East of Eden

Provenance: James Fitzgerald to Dr. Walter “Gregory” Teaby, Mayor of Monterey in 1934, California, and Physician, handed down to Gregory W. Teaby Sr., Fire Chief of Monterey, 1946, to Gregory W. Teaby wife, to her sister, then to her sister’s son to us.  Dr. Teaby  is thought to have known John Steinbeck well.  Fitzgerald was friends with both John Steinbeck and Edward “Doc” Ricketts!

James E. Fitzgerald (1899-1971) was born in Boston, MA. By the age of four, his artistic talents were recognized, and a studio space was created for him in his parent’s attic. As a child, he would visit his grandparent’s farm in Milton, MA, where he began a lifelong love of painting horses. After serving in the U.S. Marine Corps from 1918-1919, he enrolled in the Massachusetts School of Art (1919-1923), and subsequently at the Boston Museum School (1923-24). During semester break in 1923, he shipped aboard the Elizabeth Howard out of Gloucester, MA, initially to paint and sketch, but following a violent storm that left one sailor injured, he joined the crew and learned to jump into the dories for halibut fishing off the Grand Banks. In 1924 he made his first visit to Monhegan, Maine.

In 1928, Fitzgerald sailed as an able bodied seaman on the Dorothy Luckenbach out of New York City, working his way to the West coast. Although he had intended to reach Alaska, his travels took him to Monterey, CA, where he settled, married and built a home/studio. While in Monterey, he became a part of the circle of friends who gathered at the Cannery Row marine biology laboratory of Edward ‘Doc’ Ricketts. The group included John Steinbeck, Krishnamurti, John Cage and Joseph Campbell, among others. During this time, Fitzgerald’s interest in Eastern Philosophy matured, and he brought to his art its principles, seeking to express the inner vitality or spiritual rhythm of his subjects.

Fitzgerald exhibited extensively in California during the 1930s, winning at one point first prize in the California Watercolor Society exhibition. Fitzgerald joined the newly formed Carmel Art Association shortly after settling in Monterey and exhibited there periodically. He continued to travel east and paint on Monhegan during those years, and eventually decided to settle there in 1943. Its remoteness led to the dissolution of his marriage, and Fitzgerald, who in the 1940s had exhibited at Vose Gallery in Boston, gradually withdrew from the commercial art world.

On Monhegan, Fitzgerald became part of the year-round community, purchasing first the studio and then the house built by Rockwell Kent in the first decade of the 20th century. As a studio artist, he was seen standing for hours capturing mentally the cliffs, gulls, or fishermen as they worked, returning to his easel to paint. His images of gulls wheeling over fishermen cleaning cod on Monhegan’s Fish Beach have become iconic. In those years, a lasting friendship developed with Anne M. Hubert, who along with her husband Edgar, eventually became his executors and heirs.

For the last 25 years of his life, Fitzgerald visited Katahdin in the off-season to paint, and in the late 1960s he visited Ireland several times, where he died on the Aran Islands suddenly in April 1971. The James Fitzgerald Legacy, a part of the Monhegan Museum, represents the artist’s estate.

From the James Fitzgerald Legacy, jamesfitzgerald.org